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	<title>Comments on: Professional Portrait Tricks</title>
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	<link>http://dilvie.com/2009/05/portrait-tricks/</link>
	<description>Salt Lake City, Sundance Film Festival Nightlife</description>
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		<title>By: dilvie</title>
		<link>http://dilvie.com/2009/05/portrait-tricks/comment-page-1/#comment-6356</link>
		<dc:creator>dilvie</dc:creator>
		<pubDate>Tue, 09 Jun 2009 00:42:14 +0000</pubDate>
		<guid isPermaLink="false">http://dilvie.com/?p=653#comment-6356</guid>
		<description>The radio popper X system looks really nice. Better than infra red CLS.</description>
		<content:encoded><![CDATA[<p>The radio popper X system looks really nice. Better than infra red CLS.</p>
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		<title>By: Greg</title>
		<link>http://dilvie.com/2009/05/portrait-tricks/comment-page-1/#comment-6355</link>
		<dc:creator>Greg</dc:creator>
		<pubDate>Tue, 09 Jun 2009 00:06:29 +0000</pubDate>
		<guid isPermaLink="false">http://dilvie.com/?p=653#comment-6355</guid>
		<description>Absolutely, I am also looking at the radio popper. Although I must say that I love the Nikon wireless CLS system with my D300.

Thanks for your original post and your response.</description>
		<content:encoded><![CDATA[<p>Absolutely, I am also looking at the radio popper. Although I must say that I love the Nikon wireless CLS system with my D300.</p>
<p>Thanks for your original post and your response.</p>
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		<title>By: dilvie</title>
		<link>http://dilvie.com/2009/05/portrait-tricks/comment-page-1/#comment-6354</link>
		<dc:creator>dilvie</dc:creator>
		<pubDate>Mon, 08 Jun 2009 23:52:00 +0000</pubDate>
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		<description>For the price of one 900, you can buy 2 600&#039;s and have twice the power and versatility. The 900&#039;s are great flashes, but they&#039;re over-priced. Bang-for-buck, 2 600&#039;s is a much better deal.</description>
		<content:encoded><![CDATA[<p>For the price of one 900, you can buy 2 600&#8242;s and have twice the power and versatility. The 900&#8242;s are great flashes, but they&#8217;re over-priced. Bang-for-buck, 2 600&#8242;s is a much better deal.</p>
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	<item>
		<title>By: Greg</title>
		<link>http://dilvie.com/2009/05/portrait-tricks/comment-page-1/#comment-6353</link>
		<dc:creator>Greg</dc:creator>
		<pubDate>Mon, 08 Jun 2009 23:47:51 +0000</pubDate>
		<guid isPermaLink="false">http://dilvie.com/?p=653#comment-6353</guid>
		<description>Your strobist info helped me make up my mind on buying a 3rd strobe. I have a sb-600 and a sb-800. I have been debating whether to buy the 900 or another 600. I use my 600 more than my 800, and the fact that you used 3 600&#039;s pushed me over the edge for the 600.

Thanks. Nice shot.</description>
		<content:encoded><![CDATA[<p>Your strobist info helped me make up my mind on buying a 3rd strobe. I have a sb-600 and a sb-800. I have been debating whether to buy the 900 or another 600. I use my 600 more than my 800, and the fact that you used 3 600&#8242;s pushed me over the edge for the 600.</p>
<p>Thanks. Nice shot.</p>
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	<item>
		<title>By: dilvie</title>
		<link>http://dilvie.com/2009/05/portrait-tricks/comment-page-1/#comment-6309</link>
		<dc:creator>dilvie</dc:creator>
		<pubDate>Fri, 15 May 2009 00:12:33 +0000</pubDate>
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		<description>I frequently use anything handy to bounce flash. You can use the distance from the flash to the wall to control the softness of the light. When the flash is farther away from the wall, the light will be softer (and weaker).

For those of you who don&#039;t yet have an external flash, try putting an angled business card or small mirror in front of your built in flash to bounce it off the ceiling instead of letting it hit your subject directly. The bounced flash will look much more natural than direct flash.</description>
		<content:encoded><![CDATA[<p>I frequently use anything handy to bounce flash. You can use the distance from the flash to the wall to control the softness of the light. When the flash is farther away from the wall, the light will be softer (and weaker).</p>
<p>For those of you who don&#8217;t yet have an external flash, try putting an angled business card or small mirror in front of your built in flash to bounce it off the ceiling instead of letting it hit your subject directly. The bounced flash will look much more natural than direct flash.</p>
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	<item>
		<title>By: D. Travis North</title>
		<link>http://dilvie.com/2009/05/portrait-tricks/comment-page-1/#comment-6308</link>
		<dc:creator>D. Travis North</dc:creator>
		<pubDate>Thu, 14 May 2009 17:18:40 +0000</pubDate>
		<guid isPermaLink="false">http://dilvie.com/?p=653#comment-6308</guid>
		<description>Awesome tips presented in a very simple explanation.  I especially liked the strobist info at the end.  Such a simple concept, but I never thought of using walls and ceilings for bounce (especially as a hair light).  That certainly reduces the need for dedicated studio lighting.</description>
		<content:encoded><![CDATA[<p>Awesome tips presented in a very simple explanation.  I especially liked the strobist info at the end.  Such a simple concept, but I never thought of using walls and ceilings for bounce (especially as a hair light).  That certainly reduces the need for dedicated studio lighting.</p>
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